How Arlene Shechet Makes Her Recalcitrant Materials Come Alive
This spring, Storm King Art Center is getting a serious makeover. Since its founding in 1960, the 500-acre sculpture park in the Hudson Valley has been gradually populated by world-class works: the modernist abstractions of David Smith and Mark di Suvero; Louise Nevelson’s glowering black cabinetry; towering monoliths by Ursula von Rydingsvard; and, most recently, Martin Puryear’s Lookout, an elegant viewing chamber in vaulted brick. The collection is all the more impressive for its