Newen Connect takes on heist movie ‘The Green Gang’ and boxing comedy ‘Lucky Punch’ (exclusive)
10-05-2024 11:59 via screendaily.com

Newen Connect takes on heist movie ‘The Green Gang’ and boxing comedy ‘Lucky Punch’ (exclusive)

UGC Distribution will release both titles in France later ths year.
Read more »

Movies news



Screen International’s Global Production Awards unveil 2024 winners in Cannes
Screen International’s Global Production Awards unveil 2024 winners in Cannes
‘Ernest Cole, Lost And Found’: Cannes Review
‘Ernest Cole, Lost And Found’: Cannes Review
‘The Apprentice’: Cannes Review
‘The Apprentice’: Cannes Review
Marseille’s FIDLab 2024 selection includes Dan Sallitt, Katsuya Tomita projects
Marseille’s FIDLab 2024 selection includes Dan Sallitt, Katsuya Tomita projects
‘Kingdom Of The Planet Of The Apes’ stays top at UK and Ireland box office; ‘IF’ opens second
‘Kingdom Of The Planet Of The Apes’ stays top at UK and Ireland box office; ‘IF’ opens second
Sideshow, Janus Films acquire Cannes Competition entry ‘All We Imagine As Light’
Sideshow, Janus Films acquire Cannes Competition entry ‘All We Imagine As Light’
‘Santosh’: Cannes Review
‘Santosh’: Cannes Review
‘The Substance’ out in front on Cannes jury grid
‘The Substance’ out in front on Cannes jury grid
‘Limonov: The Ballad’ filmmaker Kirill Serebrennikov backs Georgian protestors
‘Limonov: The Ballad’ filmmaker Kirill Serebrennikov backs Georgian protestors
Fremantle’s The Apartment boards Karim Aïnouz’s ‘Rosebushpruning’
Fremantle’s The Apartment boards Karim Aïnouz’s ‘Rosebushpruning’
“It was a very raw experience,” says Demi Moore at Cannes press conference for ‘The Substance’
“It was a very raw experience,” says Demi Moore at Cannes press conference for ‘The Substance’
Curzon CEO talks cinema focus, flexible windows and the plans for revived Artificial Eye
Curzon CEO talks cinema focus, flexible windows and the plans for revived Artificial Eye
‘Block Pass’: Cannes Review
‘Block Pass’: Cannes Review
‘The Kingdom’: Cannes Review
‘The Kingdom’: Cannes Review
Desktop versie