Too bald, too mad, too red … How royal portraits get it so wrong

Jonathan Yeo’s divisive painting of the king raises the question of whether paintings of the monarchy have become irrelevant and anachronisiticWhy do reports always say that a portrait of someone great and good has been “unveiled”? The word is an empty metaphor that turns the first viewing into a ceremony; it also mystifies the entire procedure and makes it somewhat morbid.Portraits of kings, presidents, prime ministers and the like are effigies, meant to replace the mortal bei